Two years ago, Portuguese graphic and type designer Natanael Gama started to play with glyphs — as a way to discover typography. Doodling around, he created Exo, a font which he released for free in a Kickstarter project which turned out to be quite successful, and Natanael did a complete redesign. Today, he is no longer a student and Exo has evolved into Exo 2.0, an elegant, contemporary geometric sans serif typeface.
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These websites have some captivating interactivity; however, the selection of type and the typographic styling and spacing are the reasons why we chose them for this piece. We focus on typography and on how engaging it can be; hopefully, this article will draw your attention to some of the minutiae involved in effective typography, and move you to continue on your own thought-provoking journey through the typographic details of other websites.
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Web fonts aren’t just font files that need to be secure and easy to implement. They affect the overall look of a website. And thanks for the thousands of fonts, but quantity is not as important as quality. A hundred knives that can’t cut a tomato won’t meet my needs when I’m making my kid a BLT. Make our lives a little easier and help us find the Web fonts we want to use!
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We are pleased to introduce Type & Grids, a free responsive HTML5 template by Jeremiah Shoaf. All of the content resides in a single HTML file, so setting it up is super-simple. Its extensive customization options set Type & Grids apart from other templates out there. Each type theme is meticulously handcrafted, with attention paid to the smallest typographic details.
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Your typography helps to create an experience for users before they’ve even read a word or clicked a button. The treatment of type creates an atmosphere and elicits a response much the same way as tone of voice does. It establishes a mode of communication and, in turn, the personality of the website. The choice of typeface will determine how people respond to your website. The following websites have very distinct personalities, largely established by the typography.
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Web typography is as rich, versatile and accessible as ever before. Yet new opportunities introduce new complexity; and with new implementation challenges, we are all spurred to reconsider our practices. Now, we’ve reviewed the original study and explored how Web typography has changed over these years.
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Everyone knows their serifs and sans, slabs and scripts, but most classifications go much deeper than that. Type classification, while helpful, is often convoluted, confusing and even controversial. This article, distilling some of the complexities into a more understandable format, lands somewhere in the middle between the basics and genuine type nerdery — the perfect level for a practicing designer.
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In this article, Vasilis van Gemert will show you several tactics for deciding where to put breakpoints in a responsive design. There is the rusty idea that they should be based on common screen sizes, but there are no “common” screen sizes. You’ll be able to use the theory in this article to better design your content for all different screen sizes.
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The word on the street is that the Web Is 95% Typography, so as we hurtle towards the future, we think there’s still a lot we can learn from five centuries of history. Typeplate, a free-range and open-source typographic starter kit, is the result of this exploration of our typographic heritage.
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